Musée privé, the giftshop. UNREADYMADES, HORSE

It is imperfection that really makes you see things.
The series unreadymades* of deliberate imperfect plaster castings of readymade porcelain figurines, visualises my concepts on the ambivalence of Géricault’s paintings (and their history). These plaster companions are imperfect and fragile.
They each have their very own story to tell.

*recreated uniqueness for readymades